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Old 07-18-2008   #1 (permalink)
Honmei
 
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How Appropriate

I have a great affection for Haiku, and found this one from the pen of kenko.....I think of it in terms of koi.......

"In everything, no matter what it may be,
uniformity is undesirerable.Leaving
Something incomplete makes it
interesting, and gives one the feeling
that there is room for growth "...
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Old 07-19-2008   #2 (permalink)
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What a wonderful thought.......How uninteresting our koi would be if they always remained the same!!! The surprises that my fish offer to me each season is a wonder to my eye, joy and heatbreak sometimes as well.
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Old 07-19-2008   #3 (permalink)
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Nice sentiment, but a haiku? More senryu



Haiku (俳句, Haiku?) listen (help·info) is a kind of Japanese poetry. Previously called hokku, it was given its current name by the Japanese writer Masaoka Shiki at the end of 19th century. Shiki suggested haiku as an abbreviation of the phrase "haikai no ku" meaning a verse of haikai[1]. A hokku was the opening verse of a linked verse form, renku (haikai no renga). In Japanese, hokku and haiku are traditionally printed in one vertical line (though in handwritten form they may be in any reasonable number of lines). In English, haiku are usually written in three lines to equate to the three metrical phrases of a haiku in Japanese that consist of five, seven, and five on (the Japanese count morae, which differ from English-language syllables; for example, the word "haiku" itself counts as three on in Japanese (ha-i-ku), but two syllables in English (hai-ku); writing seventeen syllables in English produces a poem that is actually quite a bit longer, with more content, than a haiku in Japanese).
In Japanese haiku a kireji (i.e. a cutting word) appears at the end of one of the three phrases. In Japanese, there are actual kireji words, which act as a sort of spoken punctuation (for example, the "ya" in Bashō's "furuike ya" poem is a kireji). In English, kireji has no direct equivalent. Instead, English-language poets often use commas, dashes, ellipses, or implied breaks to divide the three lines into two grammatical and imagistic parts. Such a division is usually placed at the end of either the first or second line; very rarely they can be found in the middle of the second line. The purpose is to create a juxtaposition, which creates space for an implication as the reader intuits the relationship between the two parts.
A haiku traditionally contains a kigo (season word) which symbolises or intimates the season in which the poem is set.
Among traditionalist Japanese haiku writers, both kireji and kigo are considered absolute requirements for the form, yet, as noted above, kireji are not in use in English. Season words (kigo), although considered by many to be essential to haiku, are not always included by modern writers of Japanese "free-form" haiku and some non-Japanese haiku.
Because Japanese nouns do not have different singular and plural forms, "haiku" is usually used as both a singular and plural noun in English as well. Thus, practicing haiku poets and translators refer to "many haiku" rather than "haikus".
Senryū is a similar poetry form that emphasizes irony, satire, humor, and human foibles instead of seasons, and may or may not contain a kigo or a kireji
( from wikipedia)

- JR, in summer
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Old 07-19-2008   #4 (permalink)
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Thanks Jim
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Old 07-19-2008   #5 (permalink)
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Most welcome Dick, here are several good one's for you;


A mountain village
under the pilled-up snow
the sound of water.
--------------
The winds that blows -
ask them, which leaf on the tree
will be next to go.
-----------------
The first soft snow!
Enough to bend the leaves
Of the jonquil low.
-----------------
Clouds appear
and bring to men a chance to rest
from looking at the moon.
------------------
Harvest moon:
around the pond I wander
and the night is gone
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Old 07-19-2008   #6 (permalink)
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Love the second one, thanks again
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Old 07-19-2008   #7 (permalink)
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smell of freshly mown grass................ lemonade on the table...................... the shape of a cloud
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Old 07-19-2008   #8 (permalink)
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The day is so long
So much that I could get done
If I left my chair
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Old 07-19-2008   #9 (permalink)
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Like cherry blossom
petals dapple the waters
So are specklegoi
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Old 07-19-2008   #10 (permalink)
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thanks to all the "budding" haikuists....they are fun


I quess my favorite of all times are the ones that, Like Jim's second offering, boarder on the profound....Chiyo was able to accomplish it in a way I appreciate

The pine tree lives for a thousand years
the morning glory but for a single day
yet both have fullfilled their destiny
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